JOURNAL

First Glance--September 5, 2005
Driving through upstate New York, Geneseo to be exact. The valley on my right is astounding, rich and multicolored with textures that look almost edible. Wide fields tilled and planted and silos like giant chess pieces scattered across the landscape. The air looks and smells good here, like Indiana air, Kansas air after a rain, like Nebraska in the morning. Farm land looks and feels the same all over this country, I guess. The empty winter trees are just beginning to give up their grudge against god and put out timid buds. The forsythia hurts my eyes it's so bright, and for some reason, I am tempted to do what I am always tempted to do: lose love for what's right in front of me by longing for what is not. Curving through these sleepy little towns, past farms and schools and old men driving lawn mowers, run-down city parks and VFWs, the scent of grass like a drug in my nose, I wish I were settled, anchored like a little church in a snow globe, immobile and charming, static and protected. I wish I could plant a garden, go to town meetings, have my neighbor cut my grass or borrow my sugar or back into my car or swear at my dog, whatever it is these nameless people in these nameless towns do each day. I have never been good at change, but I have always been doing it, fluttering about to tidy today what will be uprooted tomorrow, and while this is not the farthest I have stepped away from the life I most recently occupied (getting married was and will always be the craziest thing I have ever done), the risk involved feels larger. Here I am, one part itinerant preacher, one part reluctant whore, wandering around a countryside I do not know inviting people I've never met to come close, to test the water I am stirring, to step inside the inner chambers of my heart, to hear and speak so that maybe we can commune together, learn a little, love a bit, and remember the world and one another in a way we hadn't done before. And except for that secret fear in my bones (that I am not cut out for this), it does feel like a good day to try it out, to try to love and be loved, to make good music, and offer what I have. There is no snow globe, only the work of my hands and my heart, Phil and Mel trying out this life and time with me, the endless road, farms and cattle and little boys on bikes hollering their heads off into the cool air, supper and sky and a million other things to be thankful for.


Winter, Soup and Continuing to Try--October 15, 2005
Autumn has landed in Boston, square on our heads and in our noses like an over-tart apple. The days are still warm, but I can tell they've already lost interest like when someone is ready to get off the phone. So, anyway . . . and then the long inhaled breath and pause. We're at that pause now--the one before goodbye. The sun is packing up for its long vacation.

For the last couple of weeks, summer has been leaking out of the air like all those lush September days were a defective balloon, and I have had to resort to giving myself pep talks regarding what-I-think-I-need-to-survive-the-winter-in-New-England, things like how I will be able to rest now, and how this town is already my town, and how little more than an accent separates me from all these people who have driven their stakes into a little bit of Bostonia, but these stories I tell myself are wearing thin. Truth is, I'm busier than ever, and I'm a transplant with a tiny, little fan base made up of other transplants, and it's a lot more than the accent that gives me away as being from way, way, way out of town.

But those are not really the things that make me nervous about winter's encroaching darkness and chill. No, winter just sets the appropriate stage. The thing that threatens to knock me to my knees is the seemingly endless amount of effort that stretches out before me, and the music -- my music -- with its fragile, bony life that I have to figure out how to keep feeding through my resources and work. Because regardless of how much I have done in this business of giving life to my music (recording, producing, booking, financing, taxes, van upkeep, marketing, promoting, driving, negotiating, emailing, housing, mapping, duplicating, web designing--oh my god, sometimes I think the list never ends!), I still feel like I'm a little girl sitting down to dinner at the grown-ups' table, pretending that the jokes are funny and that I know which fork is for my salad. And it could go well or even be fun, but my salad-eating self is too distracted and uptight. All I can think about is how when I spill soup down my front, I hope no one is looking. Except even after all this fretting: the confession of my weaknesses, my out-of-place-ness, and the impending cold, I can feel the rumblings of the necessary shift, as if the most uncertain places beneath my ribs and skull are lifting their chins in defiance of jokes and forks and self-consciousness, shouting out to me, Give 'em hell! and You go out there and show 'em what you're worth! I have dried soup on all my clothes--the evidence of my failure, but it is still not enough to make me leave the table. The clatter and bang still lives in my heart.

I will go to bed tonight, and I will get less sleep than I wanted, and when I awake in the morning, I will turn once again to the making of the business of music so that my music can be made. I will call the papers so they list my shows. I will call back the venues that won't call me. I will haggle and deal and work and pray and rehearse and write and love it and play.


(This journal entry was originally published in Groundbreaking Entertainment Magazine in March of 2006)

Moving--November 15, 2005
So, I've been trying to keep moving. I played a show with a couple of good friends last night in a little coffee shop in Portsmouth, New Hampshire. I took the bus up there all by my lonesome and tried not to make eye contact with the lady singing Elvis tunes into her thumb or the thirty-something man with the U2 iPod who kept fishing around for something in his pants. It was rainy and dark, and the bus driver wore fingerless gloves, and I slept a thin, solemn sleep that didn't help me feel any better than I had before I closed my eyes. But my friends were beautiful and funny and ready to haul gear back and forth, and they hugged me like they meant it, like they were going to try and figure out how to make it last, like they understood my weariness but knew it would pass if I would only indulge in a little late-afternoon caffeine and tell them what I'd been up to. And we talked about songs and venues and money and sore throats, the virtues of wearing our hair up or down and the never-ending importance of Jill not looking underdressed. And we wondered how we might be move our music forward and why we couldn't quit singing "Gold Digger" and whether or not it was OK to justify a sale made to some guy who was probably just hitting on us. I felt the dark in my heart fade a tiny bit, like maybe the light really is a present and formidable contender--poor little featherweight taking on the heavies--with a mean right hook and a can-do attitude.

I need these things to keep moving: friends who know me and don't get nervous when I cry or swear, and I'm blessed to have a lot of them. I live in a big house with eight other people and not one of them is of the finger-wagging sort, inclined to tell me to "put on a happy face" or to go out and "get a real job". It's a soft, little world of good people, and most are trying to do the same thing I am (i.e. make music and not go crazy/broke/cynical/silent), but I'm in a struggle to keep the world outside our doors from eroding the peace we gain from and give one another. Anais Nin wrote in her diary, "I have to slay one dragon a day to keep my world intact," and I guess I feel that threat and need to fight back, too. Still, hanging out with Jill and Kate last night reminded me that in the midst of the fight, there is a real richness of friendship that can and will nourish me if I am only willing to pause and rest in it long enough to be grateful. I may be combating dragons, but I'm not alone or misunderstood in the battle.

But there's more to it than that. Kate said to me that if she can't figure out how to be content in her mini-van, driving all over the country, playing shows that don't always pay enough to people who would rather hear Van Halen covers, then she doesn't believe she will be satisfied with a big tour bus, piles of money to burn and a multitude singing along. And as much I would like it not to be so, I cried then and am crying right now thinking about her simple and honest commitment to good work and a good life, that whether we're lucky or broken-down, rich or poor, heard or ignored, satisfaction may be as close as our own beating hearts, if we are only willing to accept and give love and go about our business without wishing it were easier.


Post-Thanksgiving Post--November 28, 2005
So, Thanksgiving is over, and I'm not sure that I put the right kind of time in--the thanksgiving kind of time, where I remember the good and how the bad isn't as bad as it could be, etc. The closest I got was doing dishes at the end of the night, the hot water running over my hands, the piles of silverware, the pots and pans. I thought of my friends in Ukraine, who have to boil water if they want it hot for dishes or bathing. And I finished my dishes in tears, grateful for water heaters and electricity and basic luxuries. And it might just be that I always feel a bit off between Thanksgiving and Christmas, like the interim period is a sort of napping or dog-paddling zone. I'd like to blame it on the fact that I don't play sports anymore (no basketball practice or games to expend my energy and hope on) or on Daylight Savings Time (which might be a legitimate complaint--why so much darkness, New England? Why?), but I feel like a more ready culprit is the church calendar, and its season of advent, the season of waiting. I just never seem to feel like I'm waiting for something great and exciting to happen. It's more like the waiting we do in doctor's offices or in bank lines or in habitual traffic--mundane and tedious, having nothing in common with any shimmer or shine that might glint off the surface of this life at other times. So, I've been busying myself. Planning for the future like a crazy little squirrel. Hunting down nuts and nut-making facilities so I'll feel fat and safe when winter really hits. I'm storing up plans and methods to do an EP soon (new songs and faves not on the current record), a winter tour, a summer tour, a music video . . . and other such offerings. It's a shot in the dark, but with it being so frequently dark, it's kind of the best I can do. So, I'm going to keep going. I hope we all do.


(This journal entry was originally published in Groundbreaking Entertainment Magazine in March of 2006)

If Crazy Is Contagious--December 15, 2005
I live in a house with eight other people. Six of us are musicians. Two are visual artists. One is a writer. Our house is not made up of sectioned-off apartments where you have to go across a hall, knock on a door and be given entry to get some sugar, shoot the shit, tell each other jokes and leave with a green plus-sign over your head. If I'm out of sugar, I can just look one cabinet to the left and down. No knocking needed. Two of my housemates are my bandmates. My roommate is my husband.

There's a lot of good about living here. These people are all my friends. Many of them are funny. All of them are smart. If my car breaks down somewhere in Canada, any one of them would come to my aid without much hesitation, and I would come to theirs. We don't pool our money or anything, but we do pool our lives and selves and emotions--even when we'd rather not.

Lately, we seem to have fallen into some weird and unfriendly ditch, and yes, I am speaking metaphorically, and no, I.m not really exaggerating. Yesterday, one of my housemates frantically took a bus back to her hometown because she wanted to cry all alone in her mother's bed, and I don’t know how long she'll be gone, and she doesn't know either, but she's scared and nervous and having a hard time coming up with 52 cards when she counts the deck, if you know what I mean. And others of us don't look up from our coffee when someone steps into the room, and some flinch from too much eye contact and some, from too little. Me--I feel like Homer Simpson, on the episode where he goes awry because he's afraid he'll die--so, the family has to go down to Florida for his recuperation and on their way down, Homer sits in the front seat of the car, rocks back and forth, and says to Marge, "My pockets hurt." I think my pockets hurt. Just a little. But they hurt.

It's like we've all started mourning. I tied a black band around my arm, but I took it back off. It felt right, but I didn't know why, and I have no idea how I would answer questions about it. "You protesting something?" "Did somebody die?" "Why is that bracelet up by your shoulder?" Something broke my/our hearts recently, but we don't know what it was. We don't even know when it happened. And it makes me wonder if crazy is catching, and if it is, who got it first and gave it to the rest of us, and whether there’s an antibiotic (Amoxicillin? Cephalexin?) or a folk cure (Face east just before sunrise. Throw three black stones over your left shoulder and two white stones over your right shoulder. Tie a chicken foot around your neck. Don't take it off for seven days.) that just might work out some of the madness, the darkness and the soul-aches we all feel.

The other night I had a dream where I cut open all the fingers on my left hand (my fret hand, the one that dictates what the right hand plays, which dictates what I sing, which dictates what I say, which dictates everything) and emptied them of their contents until they were flat and limp like deflated balloons. They had been filled with sugar. So, at the end of my little project, I had a pile of white, granulated sugar, and a perfectly limp and useless left hand, which I guess was the goal, because I felt completely satisfied by it.

Which brings me back around. Flat, sugarless hand or not, I still live in a house with eight other people, and while it would be nice/interesting/at least different if the drama that went on here was of the everybody-screwing-everybody-else and stealing-each-other's-beer variety, it isn't. Instead, every one of us is trying to bring to life the strange and sacred something that knocks about in our gut in the middle of the night, and it's making us feel insane. We're trying to birth things that we don't know yet or understand, and we are trying to sustain the hope and faith necessary to go through and survive the labor.

David Salle, the painter, once said, "I don't like to say I have given my life to art. I prefer to say art has given me my life." It's charming and inspiring until you follow it through to the dark side of things (and mustn't we always do that? To only quote the light is to ignore the whole of the real and bitter truth. Of course, to only quote the dark is to ignore the truth, also . . .) that whatever has the power to give life, also has the power to take it away. Art, music, words, sex, drugs, anything can threaten to pull our plug if we give it more credit, space, than it deserves in our lives. I think that's why my sub-conscious cut my fingers open, to take that power back from my art, my music and put it back where I want it--in my own knife-wielding hand. I want it to be mine. And I want it to be good, bad and ugly based more on my relationships, the love I give and take, the way I interact with god and the world than my productivity/longevity/anyotherity as a musician and writer. I want to not notice my pockets. I want to look up from my coffee with space in my heart for my friends. I want to welcome them in, shoot the shit and tell jokes, share sugar and songs. I want to live well.

I think I will exercise today. I think I will play guitar, call my sister, read some poems. I will kiss my husband when he comes home and be glad.


(This journal entry was originally published in Groundbreaking Entertainment Magazine in June of 2006)

A Meditation on Fear and Polly Pocket--May 17, 2006
When I was a kid, I had a chronic fantasy that involved me having enough money to buy a plane and fly it from one side of the globe to the other every twelve hours. It didn't matter that I would have to live in the air, conduct my life and relationships from 30,000 feet, that I would eat airplane food and never actually feel sun-warmed air on my skin, wind in my hair. When I was a child, the one desire that outweighed all my other competing desires was figuring out how to live in a world where night never fell, where the sun was always shining, where darkness didn't exist except in closets and cabinets and the insides of shoes. I was nightmare-prone-and-practicing, suffering from what the literal and rational and never-get-scared refer to as "over-active imagination". Mine was regularly fed by my mother's obsession with demons and spiritual warfare, Stephen King books, and that nuclear holocaust movie with Steve Guttenberg that they made us watch in school. When night fell and the lights went off, zombies climbed into my room through the second story windows. Vampires ate my family and my cat. Mushroom clouds evaporated Kansas and Missouri, Colorado and Nebraska and left trailer park divots scattered across Oklahoma. Demons laughed laughs that knocked down the walls of my house and ripped people's hearts from their chests. I would lie in bed for hours while my sister slept beside me, imagining a life that always had sunlight in it, a life absent of fear and uncertainty and the shame of running to my parents' bedroom, shivering and barely able to breathe, fitful and teary until the window turned that blessed shade of deep blue-gray, when I could finally go to sleep, one more terrible night under my little kid's survival belt.

These days I'm less afraid of the terrors of the night, but the uncertainty of the world I fear a whole lot more. Last night in bed, I asked my husband if he wouldn't just figure out a way to hold me in his hand for a couple of days. Shrink me down and carry me like a rabbit's foot, so I could feel safe and tucked away, warm and unworried. I want a Polly Pocket life: small and self-contained, bolted down and colorful, the plastic and predictable and never-changing. I'm tired of not knowing what to do next, of doubting the validity of my attempt to make music and art. I'm tired of how regularly unable I am to connect with people and believe in god. I envy everything that exists outside of these struggles: babies and fiddleheads and the change in the bottom of my purse. And yes, I know that Polly Pocket is deaf and blind and heartless, and she has never eaten an avocado or dark chocolate or gorgonzola cheese, but she is pain-free and smiling and has never had a nightmare. And I am embarrassed to admit it, but sometimes I think she got the better deal.

Today, I am supposed to begin laying down scratch tracks for my band's upcoming album, the album that was supposed to be started and completed over the winter but was shelved due to my shaky mental and emotional health. I'm dusting off the tunes, plugging in the m-box, wondering if that necessary mystical filament that keeps the universe from flying apart will still be in place when we drag these songs to the light in two months (or more) time, wondering if we have it in us to create a something out of nothing capable of helping that silver thread burn a bit brighter and stronger in the days ahead.

The artist's temptation will always be a giving up, a desire to retreat into the corners farthest away from attempt, expectation, and responsibility in the hope that we can avoid shame, misunderstanding, disappointment, and nightmares, but we can't. The world is full of fear opps, and the Polly Pocket pain-free, music- and mole sauce-free existence isn't an option. And I know this line of reasoning isn't inspiring. I know it's a glass-is-half-empty sort of argument, but I will never get to be two nickels and a dime in the bottom of some grumpy musician's purse. Might as well write a song. Might as well fumble with the click track and the engineer. Might as well see if I can do a little of what Bruce Cockburn advises and . . . kick at the darkness 'til it bleeds daylight.

(This is a short story by Reva that nobody wants to publish.)

Gula, Big and Tall, August 15, 2007

My name is Gula. My mother called me this because an angel came to her in a dream when she was nine months pregnant and told her that my sins would be great. To prove his point, he took her to the foot of the Rocky Mountains. My mother watched in horror as I ate the entire range—trees, wildlife, streams and all. She immediately fell to her knees, grabbed the angel around his holy ankles and asked how she might control such a voracious appetite. The angel recommended staying out of Colorado. When my mother awoke, she recorded the highlights in the front of her Bible along with the date. She drew a picture of a rocky mountain and captioned it, “Unless the Lord build the House, the workers labor in vain.” Three days later she birthed me by caesarean section. I was and still am, the biggest baby ever born in our county hospital—twelve pounds, two ounces and twenty-six inches from top to bottom. If she’d pulled me out of Wilson Lake, she would have been proud.

I am the fourth of five children—the only girl. My mother breast-fed my brothers, but thought it in everyone’s best interest to bottle-feed me. She swears that the one and only time I took her breast in my mouth, she felt a mortal fear.

“None of your brothers had that look in their eye. That look of insatiability.”

She says Dad took a second job to pay for the formula I ate. It was there on the nightshift at the IGA that he met the Delilah who tore our family apart for the next six and a half years—an acne-scarred brunette named Helen, who didn’t have a high school education but knew to smoke menthol Parliament cigarettes to keep her breath minty and her teeth white. They finally ran off together when I was seven, after Dad was fired from and kicked out of the pastorate at The First Baptist Church by a unanimous vote that included my mother’s resounding “Aye!” even though she wasn’t allowed to have a vote that counted on account of her being a woman. My dad came back three months later on a Greyhound bus, without his credit cards and car, and blind in his left eye. Helen had hit him with a Gideon Bible and the drawer that held it, while they were reassessing their relationship in a motel room in El Paso, Texas. While he was on the floor bleeding and wondering what he’d done to deserve such harsh treatment, she twisted the knife by taking his wallet, keys, and car. When my dad rolled back into our town, he went straight to the IGA, got his old job back, came home, and begged my mother’s forgiveness. He called on her to look deep into his left eye, the eye the Lord had blinded in order to help him see the folly and wickedness of his ways, and he asked her if she was willing to tell the Lord that she could not forgive a man He had already chastened and brought to his sense. She bought it, and when I came home from school that day, Dad was sleeping on the couch.

That was ten years ago. My father now pastors the Holy Gospel Bible Church that he founded when he received his second call to go into the ministry. Every Sunday morning and Sunday night you can find my parents and me and my younger brother Jacob and twenty or so other people—mostly recovering alcoholics and Mexicans—in the basement of the bowling alley down on 12th street. We sit on folding chairs and sing praise choruses. Last summer, someone donated a guitar amp and a microphone so the sermons can be heard even when you’re in the bathroom and even when the fan’s on. Dad still works the nightshift at the IGA, and my mother still dreams dreams. I weigh myself every morning and record my findings on a chart over the toilet that my mother put up five years ago to “help me overcome my fleshly desires”.

Last year for New Year’s, I resolved to lie to that chart every day. For two weeks straight, I penciled in “125”. On the second Sunday after my resolution, my mother stood up and gave a testimony as to how the Lord kept bringing her to Revelation 21:8 in her morning devotions because a liar in danger of the fires of hell was in her midst. I was the featured illustration. I cried at the altar—a card table up at the front of our meeting room with a green, plastic tablecloth draped over it and a ceramic cross on top—for half an hour, confessed my sin to the congregation and resolved to be truthful to the chart. I started lying again a couple weeks later, and I still do, but since the lie lacks drama, I don’t feel so bad. This morning I weighed in at 196. I penciled in 185. Sometimes, when my mother thinks I might be losing weight, she’s more inclined to be generous, and I’d asked her the night before if I could get my driver’s license. She said she needed to sleep on it. When I sat down at the kitchen table, she was ready.

“It came to me in a dream, Gula. I asked him, ‘Why, Lord? Why can’t she get a license?’ and he said to me, ‘Darlene, broad is the path that leads to destruction,’ and he pointed his finger into the pit, and I saw a highway filled with cars, and every one of them was driving straight into the fires of hell. I will not have you going to hell.” My mother was spreading peanut butter across whole-wheat toast. “Not while I have breath in my body.” I was eating yogurt. Banana. Fat-free and sweetened with aspartame.

“You let all the boys get their license. Jacob’s almost two years younger, and he gets to take the car out.” I was using a soupspoon. When I focus, I can finish off a cup of yogurt in three bites. I took bite #1.

“Well, he has his learner’s permit, now.” She looked up from her toast. Her eyes are gray like cement that won’t set. I have never seen that color in another pair of eyes—not one of us kids has gray eyes. They blink less than normal-colored eyes, and they seem transparent, like you could look right into her head if you really wanted to. I have never wanted to. I dropped my eyes back down into the creamy yellow of my yogurt cup.

“Why won’t he go to hell because of the car? Why just me? And how do you go to hell in a car, anyway?” My voice was too high and loud. I spooned bite #2 into my mouth, squished it out of my teeth and into my cheeks before swallowing.

“Gula. We have been over this. I don’t know why. The Lord works mysteriously, but no matter how mysterious, I will not go against The Word of The Lord.”

I could feel her eyes on the top of my head. I knew what was next. My oldest brother Peter calls it The Almighty Argument-Ender—it was one of the top ten reasons he joined the Navy right after he graduated high school. My mother delivered it soft and slow like she was dutifully rocking to sleep a baby that she didn’t like.

“Are you not concerned about your own salvation?”

I threw bite #3 in the trash.



My mother is skinny. She wears little jeans and little bras, and people always guess her age as being younger than it is. Always. She eats carrot sticks for lunch. Sometimes, she dips them in low-fat ranch dressing. Once, I saw her dip them in Miracle Whip. She polishes them off with a hard-boiled egg—unsalted—and she drinks unsweetened iced tea. Even in the winter. My mother claims to have a natural, and superior, aversion to soda. That gene was not passed on to me.

I eat carrot sticks for lunch too, on the far-east side of the Great Bend High School cafeteria. I wash them down with two Diet Cokes, while I listen to Carolyn and Becky discuss what they did or are going to do at the Community College football games, basketball games, or track meets—depending on the season. It’s track season, now, and Becky gave a blowjob to a Nigerian high jumper three weeks ago. Carolyn thinks she might like girls. She kissed a female shot-putter on a bus over the weekend but wasn’t impressed.

“It was okay, but I didn’t think she was pretty. I think I would like it more if she was pretty.” Carolyn bit into her bean and cheese burrito.

Becky scowled at her. “You’re worse than a dude.” Becky isn’t much to look at, but she tweezes her eyebrows and highlights her hair, which helps. She turned to me.

“You should come with us tomorrow night. It’s Regionals.” Becky didn’t eat. She moved here two years ago, and I have never seen her eat anything. She drinks a lot of Mountain Dew, though.

“I don’t know. What will I do when you go off with that high jumper?”

“I probably won’t. He started dating one of the runners.”

Carolyn asked which one and what did she look like. I ate my carrot sticks until the bell rang.

“Ask your mom if you can come. Say I have questions about Jesus that can only be answered while people are jumping over hurdles.” Becky sniggered and drank the last of her Mountain Dew.

I said I would see, but my mother doesn’t let me go anywhere near the Community College.



When I was a sophomore, I carried my Bible to school. At church camp the summer before, a college boy with wavy brown hair and a dimple in his chin told us we should since we were not to be ashamed of the gospel. His name was Stanley Derringer, and we called him “Stanny D”, and he was our lifeguard and campfire speaker. He was studying to be a youth pastor at the Bible College in Manhattan, and he said it was a sin to masturbate or listen to secular music. Every day until Christmas that year, I kept my Bible on the edge of my various desks, so people could ask me questions about how to be good or how to be saved or what was my secret for why I was so happy and content with life and all its ups and downs. Carolyn was the only one who asked me anything.

“Do you read that thing?” She asked me at lunch one day.

I lied to her. I was eating a salad with Italian dressing on it, Baco’s, and Parmesan cheese.

“No.”

Over Christmas Break, I went to a high school lock-in at the Stockton Christian Church with my brothers, Daniel and Jacob. While we ate pizza, Haley Mangum told us that Stanny D had gotten a woman in his church pregnant who wasn’t even his girlfriend.

“Are they getting married?”

“I don’t think so. He got kicked out of school for it and had to move back home to New Jersey. I guess she’s going to give the baby up for adoption.” Stephanie picked up her paper plate and stood up.

“I’m getting another piece. You want anything, Gula?”

“I’ll take another pepperoni.” I never took my Bible to school again.



My mother tells me that one of these days I need to start exhibiting the fruit that is in keeping with repentance or else it might mean I’m not saved.

“We are to judge a tree by its fruit, Gula.”

I think she means the kind of fruit that is small enough to fit into a size 12 pair of pants.



Sometimes, during my free period, I walk across the park to Chinese Express. A Korean family runs it and the breakfast place next door. The buffet lasts until 3:00 PM. Yesterday, I ate two plates full of Crab Rangoon covered in sweet and sour sauce, and a big bowl of egg drop soup with fried wontons. Today, I am aiming for the General Tso’s Chicken and those little sugar-covered fluffy rolls. Because I’m a senior and on the Honor Roll, I get a free hour to study each day. I’m supposed to be in the library, but no one notices as long as I end up in Calculus for last period. If I don’t go to Chinese Express, I usually sit under the bleachers in the gym. I keep chips and Rolos in my locker. And Capri Sun pouches. I don’t really like the way Capri Sun tastes, but I like that if you squeeze your hands around it, your mouth doesn’t have to do anything but swallow.

Lately, when I sit under the bleachers, I have been thinking about Becky and her high jumper. I’ve never even kissed a boy, so a blowjob seems really ambitious. Don, a junior who sits next to me in my Calculus class, is quiet and smart. He asks good questions and reads Isaac Asimov novels. I’ve tried to picture his penis and think about what it would feel like in my mouth, but I don’t have anything to go on other than the drawing in my ninth grade Sex Ed textbook. There were so many words and arrows all over it, besides the fact that it wasn’t actual size, that I don’t think I have a good idea of what’s really going on down there. No matter what route I take, my brain can’t get past his underwear. Then, I feel bad and pray to God to forgive me for my lust, and I beg Him to keep me a virgin until I get married, but who would want to have sex with someone as fat and big as me, who smells like Chinese food anyway?



“Becky wants me to stay over at her house tonight and watch all the Indiana Jones movies in a row and in order. Her mom says she’ll teach me how to knit if I want, and we can go to Perkins for breakfast in the morning.” I read once that if you tell two or three details in the midst of a lie, it will sound more believable.

My mother was sitting on the couch with her Bible opened to the book of Jeremiah, toward the end, when things have gotten as bad as the prophet had predicted, but it doesn’t make him feel any better. She was underlining things and writing in a notebook.

“Where do they go to church?” She didn’t look up, just kept reading and making notes here and there.

“They don’t. You know that.” My stomach felt cold and empty. Maybe I was hungry. I thought of the General Tso’s I’d eaten yesterday, and my mouth watered.

My mother looked up from her Bible and stared into my face with her two grey eyes. I tried to look bored. She sighed and looked back to her notes.

“You’re going to stay in?”

“Yeah. We’ll eat popcorn and watch the movies.”

“Is your babysitting money gone or do you need some?”

“I have a little left.” My heart was beating hard, and a small school of fish seemed to be swimming up from my legs and threatening to turn my head into a whirlpool. Lying to my mother’s face should not be entered into lightly. My older brother David had been forced to volunteer at the Senior Center every day after school for a whole semester after she found out that he’d spent a Sunday afternoon at the arcade with Billy Reynolds instead of studying like he’d promised. A stray skee ball ticket had come out of his pants pocket in the laundry and given him away.

She pulled a ten-dollar bill out of her pocket and pressed it into my hand.

“Don’t go crazy at Perkins.”

My heart threw up. The fish exploded, and my face went hot and red. I looked away and tried to shrink. I whispered through my teeth, with as much fierceness as I could muster, but I’m sure she heard it as a whine.

“I won’t.” I went up to my room and cried.



I used to play clarinet. My middle school band instructor, Mr. North, told me I had a real talent. At our eighth grade Christmas concert, he picked a medley of traditional carols that featured sleigh bells and clarinet. I stood at the front of the stage and played from memory. My mother made me a red dress out of a material that looked like real velvet, and I wore black panty hose and black pumps. She put mascara on my eyelashes and rouged my cheeks so everyone in the auditorium would be able to see my face.

“Your face is so very pretty, Gula.” She used to say that a lot. I kept my eyes closed through the whole song and didn’t make a single mistake. My family clapped like crazy in the third row, even my brothers, and my mother was smiling and crying like somebody had just been baptized.

That night after the concert, I had a dream that I was a giant red cat. I sat by a fireplace in a huge dark room full of books and old furniture. Lines of well-dressed people shuffled past me.

“Thank you. Thank you so much.” They would say as they ran their hands from my head down my back. I purred and smiled and paid them no attention. It was the best dream I’ve ever had.

I quit playing clarinet the next year because of the marching band uniforms. They looked stupid, and none of the pants fit me. Mrs. Hager, who taught the high school band, said they could order some, that it would only take six weeks, and in the meantime, the XXL’s didn’t look so bad. I turned in my instrument and took Study Hall instead.



Jacob dropped me off at Becky’s house a little after 7:00 PM.

“Are you guys really just watching movies?” Jacob is short, but his shoulders are broad. He usually has a girlfriend. He leads a Bible Study before school that a lot of the freshmen girls go to.

“Yeah.” I pulled my bag out of the backseat.

“That’s pretty lame. Just the two of you?” I didn’t answer.

Becky stuck her head out of the front door and yelled, “Jacob! Omigod! They gave you a license?”

He revved the engine, grinned across the front seat to her and squealed the tires for half a block before running the stop sign at the end of her street. I prayed for a cop to catch him on his way home.

“He’s a dumb ass,” Becky said, and I think she smacked her lips. “But he’s cute.” She took my bag from me and dropped it inside the front door and pulled a tube of lip-gloss out of her front pocket and smeared it across her mouth. “You ready to go?”

I nodded. My jeans pinched in at my stomach more than I remembered, and I could smell my armpits through my deodorant.

“Can I borrow some lip gloss?” She handed it over and tightened her ponytail. I glopped it on and handed it back. It smelled like watermelon.

“We’ll still make the running events.” Becky was rubbing her lips together enough to start them on fire. “That’s when the action starts anyway. Carolyn went early to watch that girl shot put.” She held a pair of car keys up in front of my nose. “Mom says we don’t have to be in until midnight, so if there’s an after-party—” She trailed off, raised what was left of her eyebrows and squealed before bouncing off toward the garage. My stomach turned over a half-dozen times.

“Help,” I prayed. I said it out loud and tried not to think about how many times a day God must hear that from people in much more dire straits.

And then, to show I’d been properly raised, I added, “Please.” And I headed toward the garage.



When Becky and I pulled into the gravel parking lot next to the track, the sun was setting, and the sky looked like orange and pink sherbet. Carolyn was propped up against the concession stand talking to a round woman with a short black ponytail and big, white spandex under her big, red shorts. Becky waved her arm out the window as she turned the car off.

“The shot putter.”

“The one she kissed?” The shot putter’s hair was bouncy and shiny.

“One and the same.”

We climbed out of the car and walked over to the concession stand. The stadium lights were already on, and the whole place smelled like popcorn and dust. Everybody was wearing shorts. I wondered if the concession stand had nachos and whether they carried Coke or Pepsi products and what they would charge me for extra cheese. Carolyn looked up from the shot putter.

“Hey. You made it.” Becky winked at her and turned to the shot putter.

“Hey, Jennifer. This is our friend, Gula.” I stuck my hand out, and she shook it.

“Nice to meet you.” Her voice was light and soft, like a public service announcement. Not at all what I expected from a lesbian shot putter.

“Thanks. You too.”

“Jennifer won the shot put earlier.” Carolyn looked a little proud.

“Good job.” I was impressed.

“That’s great.” Becky smiled and waited her customary 3-count before changing the subject.

“Where the fuck is the after-party?”



The after-party was in some guy named Glenn’s basement. He wasn’t part of the track team, and he was a bit older, but he had his own place not far from campus and could be counted on to get a couple of kegs according to Becky.

“He’s kind of creepy. Tried to kiss me once, and he is not cute. Just be nice, though and he’ll let you drink for free.”

I wanted to ask why he was creepy and did I have to drink, but I kept my mouth shut. Becky was hoping to find some college boy to replace the high jumper for at least fifteen minutes at that party, and I was hoping not to look or act like a virgin, a Christian, a minor without even a driver’s license, or the kind of girl who bought and ate two orders of nachos with extra cheese at the track meet, while secretly wishing she had enough money to order a third.

When we pulled up to Glenn’s, I thought I was going to be sick.

“You ready?” Becky was all teeth. My head was a parade of drugs and penis drawings and vomit.

“I’m fine. Let’s go on in.”

When we got to the basement door, Becky put on more lip-gloss and fluffed her hair. We stepped into music and smoke and a smell I couldn’t identify. Someone said Becky’s name, and she headed for a dark corner. A guy with a moustache put a cup in my hand. It was hard to see and hear and think straight, but I found Carolyn and Jennifer in the kitchen by a table that had some chips on it. They were both drinking from red, plastic cups like the one I was holding. Jennifer was smoking a cigarette.

“Hey, Gula. Do you like the beer?” I took a drink and kept from grimacing.

“It’s OK. Are these chips up for grabs?” There were Doritos—Cool Ranch flavor and Sour Cream and Onion Pringles.

“I think so. Isn’t this cool?” Carolyn beamed at me, and Jennifer took another drag from her cigarette. I thought about how my clothes would smell and my hair. I stuck my hand into the Doritos bag.

“Yeah. I don’t really know anyone, but I guess it’s cool.” Jennifer put her arm around Carolyn’s waist. I touched my own and winced. It’s true that Jennifer wasn’t very pretty, but her hair was so shiny and dark.

“We’re gonna step outside for a while. Is Becky somewhere?” Carolyn didn’t wait for me to answer. I sat in a chair next to the sink, pulled the chip bag into my lap and tried not to cry.

People came in and out of the kitchen looking for food and napkins and water. I ate all the chips. A tall black man with an accent I'd never heard before came in and asked if I knew where the bathroom was. He was wearing a blue sweatshirt, and he smelled like lotion. He asked my name and then reached out and touched the hair just behind my right ear before sitting down in one of the folding chairs at the table.

“I like your name, Gula. What does it mean?” He looked right into my eyes. So, I lied to him.

“I don’t know. It’s a family name. And from another country.”

“Do you have a boyfriend?” He turned his head to the side and leaned in. I thought about the Doritos and the nachos and beer all mixing together on my breath. I put my hand in front of my mouth.

“No. Not right now. I mean, not officially or anything.”

“You go to the college up here?” His hand was on my hair, again. My whole head was hot from it.

“I’m still in high school, but I graduate next month.” I wanted to scream from the pressure, from the attention.

“You’re eighteen though, right?” He moved his hand to my neck, and I almost passed out. I squeezed the empty bag of chips in my hands and tried to keep my voice even.

“No. This summer. June.” He took his hand off my neck and stood up.

“Too bad. You’re pretty, and I do like a big girl.” He left the kitchen. No one spoke to me the rest of the night until Becky came and found me to go back to her house. She chattered all the way home about the boy she made out with, who was the brother to a girl long jumper, who only lived in Hoisington and didn’t have a girlfriend.

I slept with Becky in her double bed. She smiled herself to sleep. I laid awake for a long time and thought about the party and how no one had even looked at me except the man who touched my hair and neck so he could have sex with me. I thought of his mouth and his dark skin and his low voice. I fell asleep when the sky was turning gray.



No one was home when Becky dropped me off the next morning. I washed my clothes and took a shower and went to bed without supper before anyone came home. I slept until Sunday morning. When my mother came into my room, I said that I didn’t feel well, that I needed to stay home from church. She got me two Tylenol and felt my forehead.

“Do you need something to eat?”

I wanted to lie. I wanted to tell her that I would never eat again, that I would never have sex with boys or drive a car, and I started to cry.

“Gula,” her voice was tight and worried. Her eyes were full. “What’s wrong, honey?” She stroked my hair. She kissed the top of my head and picked up my hand. “Tell me what’s wrong.”

I thought of a million lies. I thought of pestilence and demons and rabid dogs and homework. I thought of brimstone and stomach flu and generational sin, but all that came out of my mouth was the truth.

“I’m hungry, Mom.”




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